This exhibition started on March 30, 2019 and is on display until October 27, 2019.

There were 73 objects in this exhibition but right now we can only show you 55 of them. Some objects may not be viewable because they were on loan; this might be due to issues involving image rights or simply because there is no digitized image for the objects.

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A fanciful, romantic, and stylized interpretation of nature embellished men’s waistcoats in 18th-century France. Realistic and exaggerated flowers were the preferred form of decoration and displayed the exceptional skills of France’s embroidery professionals, who employed a painterly approach that required a sophisticated color sense and delicate rendering of light and shadow. A majority of the waistcoats and samples in this gallery were bequeathed to Cooper Hewitt by Richard C. Greenleaf, who assembled one of the most important collections of European textiles and lace in the United States. The waistcoats, along with embroidery samples and their related designs on paper, illustrate the exquisite artistry and craftsmanship that made French design the standard for men’s dress across the royal courts of Europe.

Among the most fashionable piece of clothing for a gentleman of the ancien régime, a white silk waistcoat was the perfect canvas for displaying elaborate floral frameworks. To set the fashion, a gentleman needed dozens, if not hundreds, of waistcoats festooned not only with beautiful flowers, but clever references that sparked conversation. This growing demand for novelty inspired embroidery designers to add animals, insects, romantic vistas, and even cultural and historical references to heighten the whimsy and topicality of their waistcoat designs. The gold and silver thread, sequins, seed pearls, faceted glass, and paste beads helped elevate men’s clothing to a height of elegance and intricacy rarely seen since.

  • Button
  • Gift of Norvin Hewitt Green.
  • 1938-58-1187-a
  • Button
  • Bequest of Julia Hutchins Wolcott.
  • 1959-66-290
  • Button
  • Bequest of Julia Hutchins Wolcott.
  • 1959-66-316-a
  • This object is part of the Textiles collection.
  • There are 3 images of this object.
  • This object is part of the Textiles collection.
  • There are 5 images of this object.
  • This object is part of the Textiles collection.
  • There are 3 images of this object.
  • Waistcoat (France), 1785–95
  • silk and metallic embroidery on silk foundation, linen back.
  • Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma....
  • 1962-54-47
  • This object is part of the Textiles collection.
  • There are 6 images of this object.
  • Button
  • Bequest of Julia Hutchins Wolcott.
  • 1959-66-251-a,b
  • This object is part of the Textiles collection.
  • There are 4 images of this object.
  • This object is part of the Textiles collection.
  • There are 3 images of this object.
  • This object is part of the Textiles collection.
  • There are 7 images of this object.
  • This object is part of the Textiles collection.
  • There are 10 images of this object.
  • This object is part of the Textiles collection.
  • There are 6 images of this object.
  • This object is part of the Textiles collection.
  • There are 3 images of this object.
  • This object is part of the Textiles collection.
  • There are 4 images of this object.
  • This object is part of the Textiles collection.
  • There are 4 images of this object.
  • Buttons [3]
  • Bequest of Julia Hutchins Wolcott.
  • 1959-66-233-a/c
  • Button (France)
  • porcelain, brass, glass.
  • Bequest of Julia Hutchins Wolcott.
  • 1959-66-93
  • Waistcoat (France), ca. 1790
  • silk embroidery on silk foundation, linen back.
  • Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma....
  • 1962-54-43
  • This object is part of the Textiles collection.
  • There are 3 images of this object.
  • This object is part of the Textiles collection.
  • There are 7 images of this object.