There is one other image of this object. See our image rights statement.
Object Timeline
1967 |
|
1979 |
|
2013 |
|
2015 |
|
2018 |
|
2021 |
|
Poster, Blues Project, 1967
This is a Poster. It is dated 1967 and we acquired it in 1979. Its medium is offset lithograph on white wove paper. It is a part of the Drawings, Prints, and Graphic Design department.
Victor Moscoso credits his Yale professor Josef Albers as the influence for a signature feature of his work: the use of vibrating colors. Although Day-Glo or fluorescent inks were widely available in the 1960s, Moscoso declined to use them, relying instead on color juxtapositions to replicate the hyper-saturated color illusions associated with the use of hallucinogenic drugs.
It is credited Gift of Mr. and Mrs. Leslie J. Schreyer.
- Poster, Do Women Have to be Naked to Get into the Met. Museum?, 1989
- photo-offset lithograph on paper.
- Gift of Sara and Marc Benda.
- 2009-20-2
- Poster, Junior Wells, 1966
- offset lithograph on white wove paper.
- Gift of Mr. and Mrs. Leslie J. Schreyer.
- 1979-34-37
- Poster, Chambers Brothers Band, Neon Rose #12, 1967
- lithograph on wove paper.
- Gift of Sara and Marc Benda.
- 2009-12-23
Our curators have highlighted 1 object that are related to this one.
- Sidewall, 1820–30
- block-printed paper.
- Gift of Harvey Smith.
- 1968-111-13
Its dimensions are
51.2 x 37.5 cm (20 3/16 x 14 3/4 in.)
It is signed
Printed in green, lower right, in script: Moscoso
It is inscribed
Printed in green, lower left: © 1967 NEON ROSE
Cite this object as
Poster, Blues Project, 1967; offset lithograph on white wove paper; 51.2 x 37.5 cm (20 3/16 x 14 3/4 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-39
This object was previously on display as a part of the exhibition Saturated: The Allure and Science of Color.