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What is this?

All-over pattern of trompe l'oeil drapery, with horizontal pleats and gathers. In the center between the pleats is the impression of two breasts. Dark green in color.

Why is this in our collection?

In the early 1970s, Marburg Wallcoverings approached a diverse group of international artists to create wallpaper that would reflect the taste of the time. The company wanted to produce wallpaper that would be ornamental in itself and not act as a background for other objects. The artists were each commissioned to design papers that reflected their best-known work, and the results were produced as a series called Xart Walls. Swiss artist, Jean Tinguely, designed a paper with depictions of machine parts on a metallic ground. French artist, Niki de Saint Phalle, illustrated her Nana figures in neon colors. Paul Wunderlich, a German artist known for the surreal imagery of his paintings, created a paper with... more

This is a sidewall from Germany. It is dated 1971–72 and we acquired it in 1992. Museum purchase from Sarah Cooper-Hewitt Fund.

ZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZZ This object is currently resting in our storage facility.

Its medium is

machine-printed on paper

Its dimensions are

repeat: 55.5 x 53 cm (21 7/8 x 20 7/8 in.)

This object was manufactured by Marburger Tapetenfabrik and Marburger Tapetenfabrik and created by Paul Wunderlich and designed by Paul Wunderlich

This object was purchased from KORNELIA TAMM, LTD. and catalogued by Gregory Herringshaw

See more stuff from the Wallcoverings department.

Do you have your own photos of this object? Are they online somewhere, like Flickr or Instagram? Or have you created a 3D model of one of our objects in SketchUp or Thingiverse? If so then then tag them with ch:object=18638655 and we will connect ours to yours!

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/objects/18638655/ |title=Sidewall, "Faltenwurf" [Shadow-Folds], 1971–72 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=30 March 2015 |publisher=Smithsonian Institution}}</ref>

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