Drawing, Birbal's Palace, Fattipur Sikri (Fatehpur Sikri), India
This sketch documents Lockwood de Forest’s trip to India. In 1880, he and Meta Kemble were married in New York and soon thereafter departed for India on their honeymoon, which also served as a buying trip. By this time, de Forest had abandoned landscape painting and committed himself to design and the decorative arts. He had started a partnership with Louis Comfort Tiffany, called Tiffany and de Forest, and was looking for decorative arts objects and jewelry to send back to the United States for use in interior design commissions. He traveled to Ahmedabad where he met Maganbhai Hutheesing and set up the arrangement for Hutheesing to manage a workshop producing Indian carved teak and perforated brass backed by de Forest family money.
In the spring of 1881, once the workshop was sufficiently organized, de Forest and his wife embarked on a tour of Delhi and northern India, which brings us to the location of this wonderful sketch: Birbal’s Palace in Fatehpur Sikri, Agra, outside of Jaipur, dating from March 19, 1881. This area was known for its red sandstone architecture, which particularly impressed de Forest. He wrote in his letters, “We spent several days at Fatehpur Sikri and occupied the House of Miriam, and we might have had the Birbal’s House if I had only told Mr. Lawrence we had been going. It was the one he occupied when he went out himself and it was fully furnished with rugs etc. It was opened for me to see however and I made some sketches of the details of the interior and a sketch of the outside which was a wonderful red in the sunlight. It is a perfect example of the architecture at the time of Akbai and has been preserved just as it was built.”
From the Lockwood de Forest papers, 1858–1978, research collection held at the Smithsonian Archives of American Art.
Our curators have highlighted 2 objects that are related to this one.
Cite this object as
Drawing, Birbal's Palace, Fattipur Sikri (Fatehpur Sikri), India; Lockwood de Forest (American, 1850–1932); India; brush and oil on thin paperboard; 2013-38-2
Join Cooper Hewitt curators Sarah Coffin and Gail Davidson, and Lockwood de Forest scholar Roberta Mayer for three presentations celebrating the Carnegie Mansion’s newly restored Teak Room....
This object was previously on display as a part of the exhibition Passion for the Exotic: Lockwood de Forest, Frederic Church.