Drawing, Study 135 #3, Transcription of "Ave Maria," a Sacred Melody Adapted to the First Prelude of J. S. Bach by Charles Gounod
Though not a musician, architectural sculptor John De Cesare spent his late career creating graphic representations of musical scores. In these vivid drawings, geometric forms vary in width to indicate the duration of notes, and vertical position to show pitch. He used color to clarify each line of music, alternating colors in chords to differentiate them from individual notes.
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Cite this object as
Drawing, Study 135 #3, Transcription of "Ave Maria," a Sacred Melody Adapted to the First Prelude of J. S. Bach by Charles Gounod; USA; color pencil, graphite on cream wove paper; 1982-25-57
This object was previously on display as a part of the exhibition Saturated: The Allure and Science of Color.