See more objects with the tag multicolored, music, geometric, ombre, color gradation, visualization.

Object Timeline

-0001

1956

  • Work on this object began.

1982

  • We acquired this object.

2015

2017

2018

2019

  • You found it!

Drawing, Study 135 #3, Transcription of "Ave Maria," a Sacred Melody Adapted to the First Prelude of J. S. Bach by Charles Gounod

This is a Drawing. We acquired it in 1982. Its medium is color pencil, graphite on cream wove paper. It is a part of the Drawings, Prints, and Graphic Design department.

Though not a musician, architectural sculptor John De Cesare spent his late career creating graphic representations of musical scores. In these vivid drawings, geometric forms vary in width to indicate the duration of notes, and vertical position to show pitch. He used color to clarify each line of music, alternating colors in chords to differentiate them from individual notes.

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Cite this object as

Drawing, Study 135 #3, Transcription of "Ave Maria," a Sacred Melody Adapted to the First Prelude of J. S. Bach by Charles Gounod; USA; color pencil, graphite on cream wove paper; 1982-25-57

This object was previously on display as a part of the exhibition Saturated: The Allure and Science of Color.

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<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/objects/18799765/ |title=Drawing, Study 135 #3, Transcription of "Ave Maria," a Sacred Melody Adapted to the First Prelude of J. S. Bach by Charles Gounod |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=20 August 2019 |publisher=Smithsonian Institution}}</ref>