This object is currently on display in room 202 as part of Hewitt Sisters Collect. See our image rights statement.

 

See more objects with the tag timekeeping, designers, print collectors, printmakers, baroque, time.

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This and 129 other objects are a part of a set whose first object is Book (France).

Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs, 1705–12

This is a Print. It was designed by Daniel Marot. It is dated 1705–12 and we acquired it in 1921. Its medium is etching printed in red ink on paper. It is a part of the Drawings, Prints, and Graphic Design department.

The seventeenth and eighteenth centuries saw the proliferation of ornament prints, a popular source of patterns among artisans who circulated designs across long distances. Daniel Marot produced a vast number of prints, having learned the technique of etching from his father. Originally distributed in small groups, a collection of his designs was published in Amsterdam in 1702. An enlarged edition of 230 plates was published in 1712. This etching for the upper part of a clock features a caryatid beating upon a pair of drums, alluding to the rhythm of the clock’s mechanism. The margins of the sheet are filled with alternative designs for clock faces and other ornaments. The design could have been executed in polychrome wood marquetry or with a tortoiseshell and brass veneer in the style of André-Charles Boulle. As court artist to William III of Orange, Marot was the central figure in the creation of the William and Mary style, the Anglo-Dutch expression of courtly Baroque style. He was among the Huguenots who fled France and took refuge in Holland following the Revocation of the Edict of Nantes in 1685. The migration of Protestants helped to disseminate the French style internationally. The dense profusion of ornament in this design closely resembles the prints of Jean Berain, particularly in the flat, interlacing band work enlivened by classicizing swags and urn forms.

This object was donated by Advisory Council and catalogued by Karin Zonis. It is credited Purchased for the Museum by the Advisory Council.

Its dimensions are

Mount: 34.2 x 22.1 cm (13 7/16 x 8 11/16 in.) Sheet:: 29.8 x 19.1 cm (11 3/4 x 7 1/2 in.) Platemark: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.) Frame H x W x D: 50.2 x 39.7 x 2.5 cm (19 3/4 in. x 15 5/8 in. x 1 in.)

It is inscribed

Inscribed in graphite, upper right: 78; in black ink, lower right: 127.

Cite this object as

Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs, 1705–12. etching printed in red ink on paper. Purchased for the Museum by the Advisory Council. 1921-6-352-77.

In addition to Hewitt Sisters Collect, this object was previously on display as part of the exhibition The Huguenot Legacy: English Silver, 1680-1760 from the Alan & Simone Hartman Collection.

This object has no known Copyright restrictions.

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If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/objects/18261127/ |title=Print, Design for a Clock, plate 4, from Nouveaux livre de boites de pendulles de coqs et etuys de montres et autres necessaire au Orlogeurs, 1705–12 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=2 September 2015 |publisher=Smithsonian Institution}}</ref>

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