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1940

  • We acquired this object.

2014

2015

2019

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Drawing, Title Page, Part 9, from an Album of Drawings, the Gaspero Méndez de Haro y Guzman Collection, after 1682

This is a Drawing. It is dated after 1682 and we acquired it in 1940. Its medium is pen and brown ink, brush and blue-gray and brown wash, black chalk on heavy brown laid paper, lined. It is a part of the Drawings, Prints, and Graphic Design department.

It is credited Museum purchase from the Mary Hearn Greims Fund.

Its dimensions are

64.3 × 42.2 cm (25 5/16 × 16 5/8 in.)

It has the following markings

A black stamp with an escutcheon, probably that of the Marchese de Carpio, has been applied below three times. Below, at right, is a violet mark: compass and square below which are the letters J.P "419" is written in red crayon in the upper left corner. In the lower right corner of the cardboard of the mounting a collector's mark. Gasparo Haro-Guzman; Julius Beitscher (Lugt S. 1409c); R.L (unidentified collector's mark on lining). Written in red ink: "n.2"

It is inscribed

The door has been cut out and replaced by a piece of paper with the inscription: PARTE NONA / DE DISEGNI DI SCELTI AUTORI / Raccolti in ROMA / Dal Ecc. mo Signore D. Gasparo d'Haro e Guz. n Marchese del Carpio e Heliore. Del / Conseglio di Stato della Maestà Catt. ea / DI CARLO II. / Suo Ambasciatore Ordinario et Extraord. io / Alla Santità di Nostro Signore / PAPA INNOCENCO XI. / E nel 1682. Eletto Vice Rè e Capitano / Gererale / DEL REGNO DI NAPOLI

Cite this object as

Drawing, Title Page, Part 9, from an Album of Drawings, the Gaspero Méndez de Haro y Guzman Collection, after 1682; pen and brown ink, brush and blue-gray and brown wash, black chalk on heavy brown laid paper, lined; 64.3 × 42.2 cm (25 5/16 × 16 5/8 in.); Museum purchase from the Mary Hearn Greims Fund; 1940-21-43

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<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/objects/18558899/ |title=Drawing, Title Page, Part 9, from an Album of Drawings, the Gaspero Méndez de Haro y Guzman Collection, after 1682 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=24 August 2019 |publisher=Smithsonian Institution}}</ref>