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Robe (Japan), 19th century

This is a Robe. It is dated 19th century and we acquired it in 1962. Its medium is cotton appliqué and embroidery on elm bark (ohyo) foundation. It is a part of the Textiles department.

The elm bark attush robe is one of the Ainu’s most stunning art forms, and is vital to their tradition and ethnic identity. After the men carefully strip the elm of its bark, the women separate the outer and inner bark and split the fibers into long, narrow strips. These strands are twisted into thread and woven into strips on a backstrap loom or izaribata, which are sewn together to form the robe. Embroidery is applied to cotton cloth which is appliquéd to the robe at strategic locations around the neck, wrists, and between the shoulder blades, in order to protect the wearer from evil spirits. This concept of spiritual protection is believed to derive from the rope that Ainu women used to encircle their sleeping children in order to safeguard them while the mother worked in the mountains or fields. Tattooing on the back of women’s hands and around their arms employed similar curvilinear designs for protection from evil spirits.

This object was donated by Miss Alice Boney. It is credited Gift of Alice Boney.

Its dimensions are

H x W: 128.9 × 118.1 cm (50 3/4 × 46 1/2 in.)

Cite this object as

Robe (Japan), 19th century. cotton appliqué and embroidery on elm bark (ohyo) foundation. Gift of Alice Boney. 1962-67-1.

We have 1 video that features Robe (Japan), 19th century.

Sue Lawty on Ainu Robe

Artist Sue Lawty examines the Ainu robe and discusses its properties as a garment made from elm bark. Lawty explored the Cooper Hewitt collection as part of her Smithsonian Artist Research Fellowship.

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<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/objects/18446005/ |title=Robe (Japan), 19th century |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=29 August 2015 |publisher=Smithsonian Institution}}</ref>

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