This object is currently on display in room as part of Saturated: The Allure and Science of Color. See our image rights statement.


See more objects with the tag color gradation, gradient, optical mixing.

See more objects with the color darkslategrey darkgrey dimgrey peru slategrey or see all the colors for this object.

Object Timeline



  • Work on this object began.



Hanging, Rush Hour 2/Shanghai, 2012

This is a Hanging. It was designed by Grethe Sørensen and woven by Textile Museum. It is dated 2012 and we acquired it in 2014. Its medium is cotton and its technique is jacquard woven. It is a part of the Textiles department.

Danish textile designer, Grethe Sorensen, is one of the pioneers of digital jacquard weaving. She considers herself a textile researcher, finding inspiration in the exploration of the artistic possibilities in weaving techniques, materials and colors.
Rush Hour 2 is part of a series "Traces of Light" – a collaboration with her filmmaker/director husband, Bo Hovgaard – that captures big cities at night. In this particular work Hovgaard’s video camera is unfocused as he captures the light in Shanghai from driving cars and advertising signs. Sorensen then selects individual images from the video and translates photographic pixels into threads, video recordings into weavings.
Sorensen gained her technical proficiency through years of weaving by hand. In 2000 she began to focus on digital technology and became inspired by the unparalleled control of computer-aided design and computer-aided machines. To her the challenge was to become so familiar with the new technology that she no longer felt hampered by a lack of technical skills, but felt free to avail herself to all the possibilities and explore the new landscapes to which digital tools give access.
After 2004 she began working with the idea that there is a similarity between pixelated images and the graphic expression for a weave construction. Calling it "random weave", Sorensen explains that "the technique translates each colored pixel in the digital motif into a visible thread in the motif of the woven fabric. As in four-color printing, where all the shades are created by mixing four colors on white paper, the shades in my woven motifs are created by mixing threads of the basic colors Red, Green, Blue, Cyan, Magenta, Yellow, Black and White. This technique gives the possibility of making smooth color gradations and an almost photorealistic reproduction of the image."
In 2010 Sorensen wove a small sample of Rush Hour 2/Shanghai on her jacquard loom, and then produced this large work on a digital jacquard loom at the Textielmuseum in Tilburg. The Textielmuseum has state-of-the art textile machinery and regularly collaborates with international artists on public and private commissions.
Cooper-Hewitt's Textile department collected Interferens by Grethe Sorensen in 2010, an example of her commercial work for Kvadrat. This proposed acquisition reflects her more complex exploration in weave constructions, particularly using color, and represents the department’s ongoing interest in collecting contemporary works that use new technology in innovative ways.

This object was featured in our Object of the Day series in a post titled Traces of Light.

This object was purchased from Galerie Maria Wettergren and fund: General Acquisitions Endowment and purchased with funds from: Maleyne Syracuse, Wolf-Gordon Inc. and Michael Trenner. It is credited Museum purchase through gift of Wolf-Gordon, Maleyne M. Syracuse and Michael Trenner in memory of Richard M. Syracuse, and from General Acquisitions Endowment Fund.

  • Textile, Floro, 2015
  • cotton, wool, polyester, mohair.
  • Museum purchase through gift of Maylene Syracuse.
  • 2016-18-1

Our curators have highlighted 1 object that are related to this one.

Its dimensions are

H x W: 162 x 283.2 cm (63 3/4 x 9 ft. 3 1/2 in.)

Cite this object as

Hanging, Rush Hour 2/Shanghai, 2012; Designed by Grethe Sørensen (Danish, b. 1947); Netherlands; cotton; H x W: 162 x 283.2 cm (63 3/4 x 9 ft. 3 1/2 in.); Museum purchase through gift of Wolf-Gordon, Maleyne M. Syracuse and Michael Trenner in memory of Richard M. Syracuse, and from General Acquisitions Endowment Fund; 2014-15-1

In addition to Saturated: The Allure and Science of Color, this object was previously on display as part of the exhibition Making Design.

This object may be subject to Copyright or other restrictions.

You are welcome to make fair use of this image under U.S. Copyright law and in compliance with our terms of use. Please note that you are responsible for determining whether your use is fair and for responding to any claims that may arise from your use.

For higher resolution or commercial use contact ArtResource.

If you would like to cite this object in a Wikipedia article please use the following template:

<ref name=CH>{{cite web |url= |title=Hanging, Rush Hour 2/Shanghai, 2012 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=26 May 2018 |publisher=Smithsonian Institution}}</ref>

If you would like to tell us more about an object or have found an error in an object record, please let us know!