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Business card divided into square color and graphic schemes with text throughout. Left, yellowish box containing peach colored sphere, brown box with small yellow boxes bearing black text: GREIMANSKI@AOL.COM; below, black square with white text: APRIL GREIMAN / APRILISKA; yellow L-shaped box with silhouette of figure standing on a brown line, below, text in black, pink: 620 Moulton Avenue / GREIMANSKI; black box with white image of snake coiled around a sphere (an apple?) and text in white: #211; below in black on white: Los Angeles Ca 90031; white box containing black and gray 3D geometrical shape, with overlapping orange box containing black text: 213 2271222/8651 FAX.

Business Card, April Greimanski, ca. 1990
lithograph on paper.
Gift of April Greiman.
1995-167-22

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

Business card in black and white on yellow background. Vertigo, written in black in a white box. Upper left, in black text: dizziness.

Print, Vertigo Business Card, 1979
offset lithograph on paper.
Gift of April Greiman.
1995-167-20

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

Sticker wtih a yellow oval shaped rocket with three tail fins outlined in navy blue.

Sticker, K2 Snowboards Rocket Sticker
printed adhesive sticker.
Gift of Robynne Raye.
1996-5-1

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

Business card in gray with white text and a red rectangular box at center; text reads: R O T O ARCHITECTS INC / ROTOARK@AOL.COM.

Business Card, Roto Architects, ca. 1980
lithograph on paper.
Gift of April Greiman.
1997-110-4

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

Upper floor of house, showing a large central hall, divided into three sections, and a large chmaber at either side. A plan of a small theatre (?) lightly sketched in pencil in the right-hand chamber.

Drawing, Plan of the Second (or Third?) Floor of a Country House, ca. 1781
pen and brown ink, graphite on paper.
1963-47-5

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

Cutout of a steak knife with curved ends; dimensions.

Print, Design for a Steak Knife: Iona, 1979–80
photostat on paper.
Gift of Gerald Gulotta.
2009-16-22

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 3 images of this object.

Alternate plan of 1963-47-3, showing the double staircase as turning at right angles, rather than curving, and connecting with the one portico. Four chambers at either side.

Drawing, Alternate Scheme for Ground Floor Plan of a Country House, ca. 1781
pen and brown ink on paper.
1963-47-4

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

White business card with black ink, at the top: Michael Brandes fax 213 226 1105 [red ink:] 213 226 1112 / [on right, in column in black ink:] 600 / Moulton Ave / #305 / Los Angeles / California / 90031. Across card, in red ink: R O T O / [in black] ndi ]

Business Card, ROTOndi Architects, 1990
lithograph on paper.
Gift of April Greiman.
1995-167-6

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

The present view occupies the full page. Dark outlines prevail. The eyebrows are formed by lines slanting upward over raised eyes. The lips are closed and cheekbones heavily shaded, contributing to the forbidding, even hostile, expression. Wavy, unkempt hair frames the face.

Photograph, Head of a Woman with Eyes Raised, Frontal View
44.2 x 42.5 cm (17 3/8 x 16 3/4 in.).
Gift of Ellen Gustav Jensen.
1956-47-74-a

This object is part of the Drawings, Prints, and Graphic Design collection.

Print, Gerandoles

Print, Gerandoles
etching on off-white laid paper.
1921-6-450-142

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

Design for ornamental scrollwork to be executed in iron.

Drawing, Design for Grillwork, Ornamental Scrollwork, n.d.
graphite, pen and black ink on tracing paper mounted on ribbed paper.
Gift of Diana Diederich Blake.
1992-92-80

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 3 images of this object.

Horizontal window of green and yellow framed with burgundy, containing yellow circles.

Drawing, Design for stained glass, late 19th century
brush and gouache, graphite on paper mounted on tan illustration board.
Gift of Alice C. Morse.
2009-6-17

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 3 images of this object.

Thin horizontal design for ornamental scrollwork to be executed in iron.

Drawing, Design for Grillwork, Ornamental Scrollwork, n.d.
graphite, pen and black ink on tracing paper mounted on ribbed paper.
Gift of Diana Diederich Blake.
1992-92-78

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 3 images of this object.

The design features one line of miniscule, bold, serif-style type (except for the italics of the introductory word, please, and the rsvp) imprinted on a sticker strip.

Invitation, Paul Becker: Sticker Strip, 1989
offset lithography.
Gift of Tibor Kalman/ M & Co..
1993-151-362

This object is part of the Drawings, Prints, and Graphic Design collection.

Design of two vertical rectangles (posts) topped with a lunette (semi-circle). All are painted in chartreuse, yellow and light blue. The two posts have additional design in the lower third in dark brown with a cross within a circle.

Drawing, Design for stained glass, late 19th century
brush and gouache on paper, mounted on illustration board.
Gift of Alice C. Morse.
2009-6-54-a/c

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 3 images of this object.

The present object, here flattened, in actual use would be affixed to a jar and viewed in the round, so that the far left and right partial spiral icons would form whole spirals. Three lines of horizontal type, Silver/ Bennetts/ Polish, are designed to be read vertically. Silver and polish are imprinted in the designer's hand-lettered style capitals in silver on black bands, while Bennetts is imprinted in stencil-style capitals in black on a narrower silver band. The spiral icons appear on the two black bands between the repeats of silver and polish. A blank narrow silver band at the top and a wider one at the bottom, imprinted with two lines of small sans-serif black type regarding instructions in the use of the polish, complete the design.

Ephemera, Album: Bennetts Silver Polish (Label)
4.5 x 27.3 cm (1 3/4 x 10 3/4 in.).
Gift of Ellen Gustav Jensen.
1956-47-84-ss

This object is part of the Drawings, Prints, and Graphic Design collection.

Recto: Numerals 1-12 are imprinted in bold black type in a row across the center at one inch intervals. Across the top and bottom, rows of vertical lines indicate measurements in inches and metrical equivalents. Accompanying these markings at various intervals (0-1, 3-4, 4-5, 5-6) are measurements imprinted in small type. Further markings in the center row are Made in England (1-2); Standard at 20 C (2-3); M&Co (6-7); 1 inch = 25.4mm (9-10); 1 meter = 39.37 in.; time = money (11-12); and an icon, unidentified (5-6). A hole is incised between the numeral 12 and the right edge, which is curved.

Verso: What appears to be a fingerprint is illustrated just next to the left edge. Line illustrations comprise the remaining space across to the right edge: astronomical symbols immediately to the right of the fingerprint and again between the light bulb and cake on the right; a curved line interrupted by the M of M&Co; a graph with numbers at the top and right side; frontal nude figures of a man grasping an unidentified object in his upraised right hand, and next to him a woman; to their right, a rotary telephone, its curled cord stretched out behind the couple; a light bulb surrounded by short lines signifying that it is turned on; a curved line, meant to seem to continue the earlier one, ending in a slice of layer cake on a plate.

Ruler, Metal Ruler, 1985
offset lithography, metal.
Gift of Tibor Kalman/ M & Co..
1993-151-37

This object is part of the Drawings, Prints, and Graphic Design collection.

Jacket: The box-shaped jacket is constructed of coated black, marbleized stock and is notched in the center of the open edges. There is an incised outline of an oval in the center, top side.

Book, front and back covers: Dark green cloth; spine bound in black cloth, extending about two inches each onto front and back.

Front cover: Imprinted A/ fable in metallic gold, sans serif-style type. Just underneath, positioned to be viewed through the oval of the jacket, is an outline, also in gold, of a hand, extended to the right, palm facing the viewer, thumb up;

Spine: With the object laid flat and front cover down, A fable is imprinted in gold in the same type as on the front, accompanied on either side by thin gold lines, gradually narrowing from the center outward. With the object standing, imprinting at the bottom edge, also in gold, reads M&Co/ Vol2.

Inside front cover: On the left, comprising about one third of the page width, is an engraved nature scene composed of trees, rocks, and sailboats afloat. The remaining space features a fictional narrative in mock-Italian English, with the initial letter O in white-outlined black superimposed on the right edge of the view, and the remainder imprinted on white in double-spaced serif-styled type. Within the surrounding black border, in miniature white upper case sans serif-style type, is a quotation beginning on the top and continuing on all sides; the author is identified as Pliny the Younger.

Right: A flap extending from the inside front cover, and of the same width as the engraving on the left, continues the established design format with a small engraved view at the top and a quotation imprinted within the border on the left, right and bottom sides; the author is identified as Virginia Woolf. Three paragraphs describing the putative origin of the Scissors-Paper-Rock game in the present narrative are interspersed with three ideograms illustrating the hand positions of the game. Buona Fortuna! is imprinted in miniscule capitals directly below the third hand; underneath, an eleven line quotation from Sir Isaac Newton completes the flap design.

The flap serves as a cover to a pair of silver-colored metal scissors, engraved M&Co/ New York on one side and Italy on the reverse, and a smooth, dark gray, veined rock. Each is placed in a discrete pocket incised in a stack of blank white paper pages, the scissors followed underneath by the rock. A perforated vertical line separates the scissors/rock section from the remainder of the stack to the right.

Labs, Books, A Fable, 1987
offset lithography.
Gift of Tibor Kalman/ M & Co..
1993-151-89-a/d

This object is part of the Drawings, Prints, and Graphic Design collection.

Print/business Card, Series of Five Business C, ca. 1994

Print/business Card, Series of Five Business C, ca. 1994
offset color lithograph support: paper.
Gift of Charles S. Anderson Design Company.
1996-29-14

This object is part of the Drawings, Prints, and Graphic Design collection.

Design in horizontal rectangle in grays and blues, taupes, similar to stones, in different configurations.

Drawing, Design for stained glass, late 19th century
brush and gouache, watercolor on paper mounted on tan illustration board.
Gift of Alice C. Morse.
2009-6-35

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 3 images of this object.