Poster | Types | Collection of Cooper Hewitt, Smithsonian Design Museum

We have 3,425 objects of this type and this is page 1 of 98

Poster, Generation Vielfalt, 2014

Poster, Generation Vielfalt, 2014
digital print.
Courtesy of the designer.
s-e-1783

Poster, Generation Vielfalt, 2014

Poster, Generation Vielfalt, 2014
digital print.
Courtesy of the designer.
s-e-1782

Poster, Generation Vielfalt, 2014

Poster, Generation Vielfalt, 2014
digital print.
Courtesy of the designer.
s-e-1781

Poster, Recycle Games, 2014

Poster, Recycle Games, 2014
digital print.
Courtesy of the designer.
s-e-1716

Poster, Tehran Monoxide Project, Photos From Four-to-Eighteen-Years-Olds’ Viewpoint, 2014

Poster, Tehran Monoxide Project, Photos From Four-to-Eighteen-Years-Olds’...
digital print.
Courtesy of the designer.
s-e-1715

This object was made by Homa Delvaray.

Poster, Tehran Touch, Iranian Graphic Design New Scene, 2014

Poster, Tehran Touch, Iranian Graphic Design New Scene, 2014
digital print.
Courtesy of the designer.
s-e-1714

Poster, Good News from Iran, Emerging Iranian Artists, 2013

Poster, Good News from Iran, Emerging Iranian Artists, 2013
digital print.
Courtesy of the designer.
s-e-1713

Poster, Post Past, 250th Anniversary of the State Hermitage Museum, 2013

Poster, Post Past, 250th Anniversary of the State Hermitage Museum, 2013
digital print.
Courtesy of the designer.
s-e-1712

Poster, Silver Cypress, The Third Biennial of the Iranian Graphic Designers Society, 2013

Poster, Silver Cypress, The Third Biennial of the Iranian Graphic Designers...
digital print.
Courtesy of the designer.
s-e-1711

Poster, 1984
offset lithograph on newsprint.
Courtesy of Bill Bonnell.
60.2019.9

Poster
offset lithograph on newsprint mounted on board.
60.2019.2

Poster
offset lithograph on newsprint.
60.2019.1

On white ground, an array of green oval forms, each connected to at least one other shape by a curving blue line originating from a small white circle. Together, the blue lines create a typographical message with the name of the music festival.

Poster, Intimities 2009, Jazz Festival Willisau, 2009
screenprint on paper.
Courtesy of Annik Troxler.
50.2017.4

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

On white ground, typographical design with red letters composing the name of the music festival, each group of letters or words connected to other groups by overlapping thin curving lines patterned in blocks of red, white, blue, and black. Biomorphic shapes in red, blue, and black in background; some elements overlap the curving lines in foreground.

Poster, Jazz Festival Willisau 2014, 2014
screenprint on paper.
Courtesy of Annik Troxler.
50.2017.3

This object is part of the Drawings, Prints, and Graphic Design collection.

On white ground, typographical design with white letters composed of the negative space between abstract biomorphic shapes in black, white, and yellow. Juxtaposing patterns of black and white stripes and dots throughout composition.

Poster, Jazz Festival Willisau 2013, 2013
screenprint on paper.
Courtesy of Annik Troxler.
50.2017.2

This object is part of the Drawings, Prints, and Graphic Design collection.

On white ground, typographical design composed of white letters arranged at various angles spelling the name of the jazz festival, each letter with three-dimensional block forms in various shades of green. Throughout composition, several vertical bars with diagonally striped black and white lines.

Poster, Jazz Festival Willisau 2011, 2011
screenprint on paper.
Courtesy of Annik Troxler.
50.2017.1

This object is part of the Drawings, Prints, and Graphic Design collection.
There are 2 images of this object.

Poster, We the People Are Greater Than Fear, from the series We the People, 2017
screenprint on paper.
Private collection.
5.2019.1

Poster
lithograph on paper.
33.2019.1

Poster, 1984
offset lithograph on newsprint.
Courtesy of Bill Bonnell papers, Vignelli Center for Design Studies,....
27.2019.1

Against a black ground, a simplified depiction of a red hand points to the corner of a cigarette package with a rosy tint. To the right in a white sand-serif typeface, broken into two lines, ‘natur/rein’

Poster, Roth-Händle Naturrein, 1955–1966
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-9

Poster for the 19th International Film Festival Rotterdam. Central image is the face of a tiger, rendered as if drawn in a metallic substance, glowing blue against a dark background. Beneath, ‘FILM’ in gray, ‘19th’ below in teal; curved to left and below, ‘FESTIVAL’ in teal, below, curved, ‘ROTTERDAM’ in gray. At bottom center, in teal, 'JANUARY 25 - FEBRUARY 4 1990'

Poster, 19th Film Festival Rotterdam, 1990
lithograph on paper.
Gift of Merrill C. Berman.
2020-8-8

A stylized depiction of an eye in shades of blue against a predominantly red background. Linear protrusions in yellow and teal from left edge complete figures from an adjoining poster, cut off by margin. The letters S (pink) and E (orange) float askew at upper and lower edge, respectively. Silhouette of the Brandenburg Gate, upside down at top right, and (possibly) twin spires of the Cologne Cathedral at bottom left edge in white.

Poster, DSB (3), 1991–1992
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-6

A stylized depiction of an eye in shades of blue against a predominantly yellow background. At left edge, primary-colored striations continue the form of a figure cut off by the margin. The letters S and E float at upper left and lower right, respectively. Silhouettes of two landmark buildings at top central edge and bottom left edge (possibly Cathedral of Santa Maria del Fiore, in Florence) in white.

Poster, DSB (4), 1991–1992
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-5

A lively composition of blocked variations of the primary colors. A figure comprised of angular volumes appears as if to move from left to right across the frame, mid-stride. The majority of the mid-section behind the figure is teal, and triangular sections at top and bottom are red. At figure’s mid-thigh, a light green D, and at upper right corner, a yellow U. Silhouettes of two landmark buildings at lower left and top left edge, in pink and gray, respectively.

Poster, DSB (6), 1991–1992
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-4

A lively composition of blocked colors in primarily shades of blue. A large cerulean ampersand at center, with a dark blue triangular section cutting across, horizontally. Above and below, teal blocking. Within the dark blue section, to right of ampersand, the letter G, askew. In upper section of teal, a red O, askew. Silhouettes of two landmark buildings at lower left and top left edge, in pink and yellow, respectively. Rectilinear forms in Blue, orange, and yellow continue a geometric stylized figure cut off by left edge.

Poster, DSB (2), 1991–1992
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-3

Bands of color cut horizontally across the poster for the Seventh Lahti Poster Biennial in Copenhagen. Top band is orange, and the word ‘Plakater’ in white capitalletters fills the space. Second band, yellow with gray edges, a stylized graphic depiction of an eye in shades of blue. Third band, pink: “7. Lahti Biennale 1987”; Fourth band, turquoise: “Charlottenborg”; Fifth band, orange: KGS.NYTORV 28. Nov - 13. Dec Daglig 10-17”

Poster, Seventh Lathi Poster Biennial, Charlottenborg, 1987
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-2

A lively composition of blocked variations of the primary colors. A figure comprised of angular volumes appears as if to move from right to left across the frame, mid-stride. The majority of the mid-section behind the figure is a bright blue, and triangular sections at top and bottom are yellow. At figure’s mid-shin, a yellow U, and between torso and right arm, a light green D. At right edge, a band of color which finishes another poster, cut off by the margin. Silhouette of a landmark buildings at lower right edge, in lighter yellow.

Poster, DSB (1), 1991–1992
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-15

Poster, Roth-Händle, Naturrein, ca. 1955
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-14

Poster, Roth-Händle Naturrein

Poster, Roth-Händle Naturrein
offest lithograph on paper.
2020-8-13

There are 3 images of this object.

Poster, Roth-Händle Naturrein

Poster, Roth-Händle Naturrein
offset lithograph on paper.
2020-8-12

There are 3 images of this object.

Against a black ground, a large red hand occupies most of the composition, holding a single white cigarette between thumb and forefinger. A rosy cigarette package behind. At lower left, askew, in a white sans-serif typeface, ‘naturrein’.

Poster, Roth-Händle Naturrein, 1960
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-11

Against a black ground, a small red hand depicted in a style evocative of engraving balances a rosy cigarette package on an extended forefinger. Above, in a white sans-serif typeface, ‘naturrein’.

Poster, Roth-Händle Naturrein, 1955–1966
offset lithograph on paper.
Gift of Merrill C. Berman.
2020-8-10

A stylized depiction of the gridded street map of Chicago’s lakeside districts surrounding the Chicago River, including River North, Millennium Park, and Magnificent Mile, where the Chicago’s Museum of Contemporary Art is located. The waterways (Lake Michigan and the Chicago River) and the streets are rendered in a cobalt blue, and the land mass is rendered in a dark navy blue. Street intersections are highlighted in orange and yellow squares. Upper right corner, in white capital letters: Museum of Contemporary Art Chicago / 21st Anniversary.

Poster, Museum of Contemporary Art Chicago 21st Anniversary, ca. 1988
color separation lithograph on paper.
Gift of Merrill C. Berman.
2020-8-1

Poster, Public Bikes, 2012
digital print on white wove paper.
Gift of Jennifer Morla.
2019-7-9

Upper half of the poster filled with a cropped photograph of Frida Kahlo's face, in monochrome dark red. Lower half of the poster dominated by area of light blue with white dots, and yellow with red dots. "El MUSE[0] MEXICAN[O]" in 19th century woodblock type of varying colors (magenta, lime green, dark green, black, tan, white) bridges the division between the photo, blue, and yellow spaces. A palm tree rotated horizontally (with its roots at the right margin and fronds at left) underlines "Mexicano." A cropped image of Our Lady of Guadeloupe at lower left.

Poster, The Mexican Museum, 1995
offset lithograph on white wove paper.
Gift of Jennifer Morla.
2019-7-8